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An axe and a myth: thoughts for June “Men’s Health Month”

On a cool, clear Saturday morning I was chopping wood. Chips and splinters sprayed when a neighbor peered over my fence in greeting. I welcomed him with dirt speckled face—an axe thrust over my shoulder. He looked around; seeing the pile of split timber and my sweaty brow he congratulated me on the “man’s work.” I smiled with pride, initially unaware that he wasn’t congratulating me for hard work, but for my maleness—he was reveling in it.

My neighbor was well intentioned, but our idea of masculinity has been circumscribed by a false ideological construction. I wondered if he would have congratulated me on the laundry, dusting, and dishes that were started before the chore of “being a man.” I don’t blame him for this, but rather American society’s gender assumptions.

June is “Men’s Health Month,” a time when we are to look inward, contemplating prostate cancer, our testes, or sports related injuries. But being a healthy male should mean more than treating the concussions we received while playing football—it should be about treating the fallacy that a healthy man should play football in the first place. The “dominant man” is defined as being aggressive, physically strong, self-determining, and emotionally reserved. The recent film John Wick, epitomizes this narrative. The plot follows a skilled assassin who (like James Bond, Jason Bourne, Beatrix Kiddo, and many others) is a one-man army, an unstoppable force. In the film, Wick avenges his dog’s death and the theft of his vehicle by not merely killing, but methodically murdering countless men. His emotional release isn’t through tears or mourning—his sordid catharsis is found through brutal “manliness.”

Popular American film often represents a restrictive ideal of masculinity, and there are many other forms of media that perpetuate the myth (, men’s magazines, body spray advertisements, etc.). Indeed, there are many films, actors, and public commentators who challenge this stereotype, but the problem is that the myth still exists, is propagated, widely ignored, and still affects modern society.

In 2011, the United States Department of Justice released statics showing that males comprised 90.5% of total homicide offenders. Some would argue that this is the nature of men, but I refuse to believe that we are born violent. There are many men in my life and in history who show compassion, a commitment to solidarity and community, and have emotional awareness. Men must be allowed (and in many cases taught) to express emotion communicatively—not through aggression. 

Many Americans have believed the male character is defined as predatory, powerful and violent—figures to be idolized. This construction has created emotional problems, has influenced violence, and perpetuated feelings of inadequacy among men. The myth of manliness is a collective issue; it bolsters the fallacy that sex is relegated to arrangements of power in society.

R.W. Connell defined “hegemonic masculinity” as a hierarchical positioning of sex according to male gender roles. Her argument suggests that by believing the ideal man is naturally violent and dominant, anyone defined as “other” is subordinated and innately less valuable.

A man who performs ballet, a man who cries in public, a man who doesn’t watch sports, a man who doesn’t fight, or a stay-at-home dad, are examples of what might be considered “effeminate,” less than the ideal man. By negatively describing them as being “girly,” hegemonic masculinity simultaneously diminishes the value of some men and all women.

There are multiple examples in popular media of how the “girly” man (and/or the “tomboy”) is being exploited to further reinforce the myth. The Big Bang Theory, 2014’s number one television comedy, is a show that intentionally, frequently, and effectively reverses gender norms to elicit humor. It relies on the audience’s implicit understanding of assumed feminine and masculine roles.

The comedic reversal of culturally accepted maleness demonstrates the existence of the myth. However, it also helps create a method that allows a new definition of masculinity. Redefining gender roles through heroes in mainstream media reinvents the ideological construction of gender.

By exposing the fallacies of manliness, masculine hierarchies can be eliminated. A progressive, more accepting and expansive paradigm must be created and reinforced. The heroes of gender representation are those who strive to eliminate hierarchical gender structures, defining all as valuable, and never above another. Through popular media, through our voices, and by our actions, we can influence ideology, working together toward gender equality in practice.

This still-timely article is reprinted from the June 2015 issue of Works in Progress. Keith is a graduate of The Evergreen State College, now living in Seattle and working to develop education for adults. He is passionate about sociocultural issues and influencing positive change in American culture.


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